Tag: creativity

No pause for breath

A robot playing a keyboard
AI generated Image by Gerd Altmann from Pixabay

Before you read the article you should have a listen to this piece of music: “Walk My Walk” by Breaking Rust EXTERNAL, YouTube

In November, 2025, this catchy new country music song received lots of media attention. There’s nothing very unusual about that but what made this song unusual was that the whole thing (the words, the tune, even the singer) was created entirely by an artificial intelligence. There is no ‘Breaking Rust’, it’s all computer-generated. Now that you know that, does it make a difference to what you think of the song? 

Lots of people are uneasy about a piece of music that had almost no direct human input into its creation. Music is a creative thing, designed and created by people and it feels unsettling to have computers doing that: for many it feels a bit like cheating. This song sounds human but if you listen carefully the singer seems to be performing the super-human feat of singing long stretches of the tune without taking a breath! A computer can do that, but people need oxygen!

And what is the future, if we are happy to listen to machine created things, that can be cheaply generated? Far less work, so livelihood, for human creatives. This is already happening in the world of the illustrator where it is harder than ever for newly graduated illustrators to get a foot on the ladder. Is that what we want for song writers and musicians too? Eventually, even the people running the programs to initiate the creation won’t be needed. If you want to listen to a new country song, or a new band, you will be able to click a button (pay some cash) and get one tailored for you. The money will go direct to a tech billionaire, of course.

Another thing people are very uneasy about is how the AI learned to write in that style of music in the first place. Music AI tools have been trained on vast amounts of other people’s music and, not surprisingly, many of those musicians are angry that their hard work has been re-used without permission or payment. Some musicians and music companies are now fighting back. They’ve asked lawyers to help them work with the AI companies so that they won’t lose out – they can instead opt in to allow their music be used to train AI tools, and this time they’ll be paid. This is basically what happens when musicians use the ideas of other musicians. Famously, “I’ll Be Missing You” by American rapper Puff Daddy and American singer Faith Evans, for example, used a sample without asking from the Police song, “Every Breath You Take”. Sting sued and as a result gets all the royalties from the song (though then had similar disputes with the other members of the Police! 

A share of royalties might be a win for some of the musicians, and for the people who own the AI tools… but it still doesn’t solve how we might feel about AI music created by machines, or for future human musicians who might never get a break because new song writers can’t get a foot in the door. If you value people, you need to show it in what you watch, read and listen to!

Jo Brodie and Paul Curzon, Queen Mary University of London

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The Music and AI pages are sponsored by the EPSRC (UKRI3024: DA EPSRC university doctoral landscape award additional funding 2025 – Queen Mary University of London).

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I wandered lonely as a mass of dejected vapour – try some AI poetry

A single fluffy white cloud brightly lit by the sun, against a deep blue sky
Image by Enrique from Pixabay

Ever used an online poem generator, perhaps to get started with an English assignment? They normally have a template and some word lists you can fill in, with a simple algorithm that randomly selects from the word lists to fill out the template. “I wandered lonely as a cloud” might become “I zoomed destitute as a rainbow” or I danced homeless as a tree”. It would all depend on those word lists. Artificial Intelligence and machine learning researchers are aiming to be more creative.

Stanford University, the University of Massachusetts and Google have created works that look like poems, by accident. They were using a machine learning Artificial Intelligence they had previously ‘trained’ on romantic novels to research the creation of captions for images, and how to translate text into different languages. They fed it a start and end sentence, and let the AI fill in the gap. The results made sense though were ‘rather dramatic’: for example

“he was silent for a long moment
he was silent for a moment
it was quiet for a moment
it was dark and cold
there was a pause
it was my turn”

Is this a real poem? What makes a poem a poem is in itself an area of research, with some saying that to create a poem, you need a poet and the poet should do certain things in their ‘creative act’. Researchers from Imperial College London and University College Dublin used this idea to evaluate their own poetry system. They checked to see if the poems they generated met the requirements of a special model for comparing creative systems. This involved things like checking whether the work formed a concept, and including measures such as flamboyance and lyricism.

Read some poems written by humans and compare them to poems created by online poetry generators. What makes it creativity? Maybe that’s up to you!

Jane Waite, Queen Mary University of London

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  • The algorithm that could not speak its name
    • See also this article about Christopher Strachey, who came up with the first example of a computer program that could create lines of text (from lists of words) to make up love poems.

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Claude Shannon: Inventing for the fun of it

Image by Paul Curzon

Claude Shannon, inventor of the rocket powered Frisbee, gasoline powered pogo stick, a calculator that worked using roman numerals, and discoverer of the fundamental equation of juggling! Oh yeah, and founder of the most important theory underpinning all digital communication: information theory.

Claude Shannon is perhaps one of the most important engineers of the 20th century, but he did it for fun. Though his work changed the world, he was always playing with and designing things, simply because it amused him. Like his contemporary Richard Feynman, he did it for ‘the pleasure of finding things out.’

As a boy, Claude liked to build model planes and radio-controlled boats. He once built a telegraph system to a friend’s house half a mile away, though he got in trouble for using the barbed wires around a nearby pasture. He earned pocket money delivering telegrams and repairing radios.

He went to the University of Michigan, and then worked on his Masters at MIT. While there, he thought that the logic he learned in his maths classes could be applied to the electronic circuits he studied in engineering. This became his Masters thesis, published in 1938. It was described as ‘one of the most important Master’s theses ever written… helped to change digital circuit design from an art to a science.’

Claude Shannon is known for his serious research, but a lot of his work was whimsical. He invented a calculator called THROBAC (Thrifty Roman numerical BACkward looking computer), that performs all its operations in the Roman numeral system. His home was full of mechanical turtles that would wander around, turning at obstacles; a gasoline-powered pogostick and rocket-powered Frisbee; a machine that juggled three balls with two mechanical hands; a machine to solve the Rubik’s cube; and the ‘Ultimate Machine’, which was just a box that when turned on, would make an angry, annoyed sound, reach out a hand and turn itself off. As Claude once explained with a smile, ‘I’ve spent lots of time on totally useless things.’

A lot of the early psychology experiments used to involve getting a mouse to run through a maze to reach some food at the end. By performing these experiments over and over in different ways, they could figure out how a mouse learns. So Claude built a mouse-shaped robot called Theseus. Theseus could search a maze until he solved it, and then use this knowledge to find its way through the maze from any starting point.

Oh, and there’s one other paper of his that needs mentioning. No, not the one on the science of juggling, or even the one describing his ‘mind reading’ machine. In 1948 he published ‘A mathematical theory of communication.’ Quite simply, this changed the world, and changed how we think about information. It laid the groundwork for a lot of important theory used in developing modern cryptography, satellite navigation, mobile phone networks… and the internet.

– Paul Curzon, Queen Mary University of London.

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