No pause for breath

A robot playing a keyboard
AI generated Image by Gerd Altmann from Pixabay

Before you read the article you should have a listen to this piece of music: “Walk My Walk” by Breaking Rust EXTERNAL, YouTube

In November, 2025, this catchy new country music song received lots of media attention. There’s nothing very unusual about that but what made this song unusual was that the whole thing (the words, the tune, even the singer) was created entirely by an artificial intelligence. There is no ‘Breaking Rust’, it’s all computer-generated. Now that you know that, does it make a difference to what you think of the song? 

Lots of people are uneasy about a piece of music that had almost no direct human input into its creation. Music is a creative thing, designed and created by people and it feels unsettling to have computers doing that: for many it feels a bit like cheating. This song sounds human but if you listen carefully the singer seems to be performing the super-human feat of singing long stretches of the tune without taking a breath! A computer can do that, but people need oxygen!

And what is the future, if we are happy to listen to machine created things, that can be cheaply generated? Far less work, so livelihood, for human creatives. This is already happening in the world of the illustrator where it is harder than ever for newly graduated illustrators to get a foot on the ladder. Is that what we want for song writers and musicians too? Eventually, even the people running the programs to initiate the creation won’t be needed. If you want to listen to a new country song, or a new band, you will be able to click a button (pay some cash) and get one tailored for you. The money will go direct to a tech billionaire, of course.

Another thing people are very uneasy about is how the AI learned to write in that style of music in the first place. Music AI tools have been trained on vast amounts of other people’s music and, not surprisingly, many of those musicians are angry that their hard work has been re-used without permission or payment. Some musicians and music companies are now fighting back. They’ve asked lawyers to help them work with the AI companies so that they won’t lose out – they can instead opt in to allow their music be used to train AI tools, and this time they’ll be paid. This is basically what happens when musicians use the ideas of other musicians. Famously, “I’ll Be Missing You” by American rapper Puff Daddy and American singer Faith Evans, for example, used a sample without asking from the Police song, “Every Breath You Take”. Sting sued and as a result gets all the royalties from the song (though then had similar disputes with the other members of the Police! 

A share of royalties might be a win for some of the musicians, and for the people who own the AI tools… but it still doesn’t solve how we might feel about AI music created by machines, or for future human musicians who might never get a break because new song writers can’t get a foot in the door. If you value people, you need to show it in what you watch, read and listen to!

Jo Brodie and Paul Curzon, Queen Mary University of London


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The Music and AI pages are sponsored by the EPSRC (UKRI3024: DA EPSRC university doctoral landscape award additional funding 2025 – Queen Mary University of London).

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The day the music didn’t die

Computer Scientists are working to support traditional music from around the world.

A seperewa is a traditional “harp-lute” musical instrument of the Akan people in Ghana, Africa. It has strings that are plucked a bit like a guitar. It is dying out because of the rise of western music. Researchers are now testing AIs that were trained on western music to see if they still work with such different seperewa music. They are also trying to understand exactly how this traditional music is different.

Protecting traditional instruments

Colonisers introduced European guitars to Ghana in the late 1800s and their sound began to influence and even replace seperewa music. Worried by this, in the mid-1900s people made recordings to preserve endangered seperewa music and to remind people what it sounds like. Ghanaian musicians are now reviving the seperewa, so we might continue to hear more of its lovely sound in future.

A view of a historical seperewa instrument side-on showing a large sounding box with strings attached to a neck, and stretched taut for playing.
A seperewa, adapted from a public domain image on Wikipedia.

AI to the rescue

A team of computer scientists and music experts have investigated recordings of seperewa music to see how well western AI tools can analyse that style of music, given it is tuned in a completely different way, so plays different notes to a western instrument.

First the team used one AI tool to separate the sounds of the seperewa from the singing. It struggled a bit and left some of the singing in the seperewa track and vice versa but overall did a good job,

They then used a different AI to analyse the sounds of the seperewa. The found that the seperewa music had its own, unique musical fingerprint, revealing a rich tapestry of sound that was clearly different from western music.

The research is helping to preserve a vital part of Ghanaian culture. It has shown in detail how their music is different to anything western and so that something unique and precious would be lost if it died out.

Jo Brodie and Paul Curzon, Queen Mary University of London


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Hear what a seperewa / seprewa sounds like at this YouTube video: The seprewa – the original African guitar [EXTERNAL]

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Composing ancient Korean music

600 years ago King Sejong the Great of Korea published ‘Hangul’, a new and improved writing system for his people. To celebrate he asked his court scholars to write an epic poem in Hangul, then asked his musicians to compose music to accompany it. The result was Yongbieocheonga, or ‘Songs of the Dragon Flying to Heaven’.

It was performed by musicians playing wind and stringed instruments. The musical instruments the AI composed for are Daegeum and Piri (wind instruments), Haegeum and Ajaeng (bowed string instruments) and Geomungo and Gayageum (plucked string instruments). Each instrument had its own melody written out for the musician to follow. Only one piece of the written music survives fully intact (it is still performed!). Melodies of other pieces of music have survived but only for a single instrument. That means those pieces can’t be played by a group of musicians because all the other harmonies are missing.

A team of computer scientists decided to recreate the missing 15th century Korean harmonies from just the single melodies (in the way the Bach Google Doodle does, see You’ll Be Bach!). They wanted to expand the ability of their AI tools to make sense of music beyond western music.

They first taught their AI musician to recognise Korean music written in Hangul. Then, it learnt which notes sound best played together by different instruments. Finally, to generate music that could be played, it matched melodies and rhythms. 

It created a melody for each different instrument. The researchers then asked Korean musicians to perform the whole piece and to judge how well the AI musician had done. Happily, they thought that the music worked well and sounded correct. They could perform it with only a few small tweaks. 

You can listen to one of the performances and find out more below.

Jo Brodie and Paul Curzon, Queen Mary University of London


Watch…

More on …

We have LOTS of articles about music, audio and computer science. Have a look in these themed portals for more:

Getting technical…


The Music and AI pages are sponsored by the EPSRC (UKRI3024: DA EPSRC university doctoral landscape award additional funding 2025 – Queen Mary University of London).

Subscribe to be notified whenever we publish a new post to the CS4FN blog.